WARNING!!! The following article contains spoilers for The Wailing!!!!The Korean horror film The Wailing explained a few elements of the plague, zombies, witchcraft, possession, ghosts, and demons, present throughout, though it never really reveals what's actually going on until the last few moments. Director Na Hong-jin's 2016 horror movieThe Wailing is a two-and-a-half-hour rollercoaster through several different horror sub-genres.The Wailing's twists link the thriller and horror sub-genres together, making re-watches more rewarding. For the way everything connects and unfolds, Na Hong-jin's The Wailing has been called one of the most intricate horror movies of the last decade. 282r6s

From the forthcoming Jurassic World Dominion to classics like Frankenstein or Godzilla, monster movies have been a huge part of the horror genre for decades. That said, not all monster movies are created equal. While some come out of the gate with a huge audience, others slide under the radar.

Korean horror movies have received widespread acclaim with American audiences in recent history, partially because they managed to provide not only a different narrative than popular U.S. releases, but also employ strategies that feel fresher in comparison. The horror genre has thrived in many countries and cultures, each offering their own take on fear and honing in on the threats of their individual social, political, and economic climate in order to create well-rounded and relatable panic.

Parasite was a dramatic horror movie that shocked the world when it won the Oscars for Best Picture, Best Director, and Best International Feature Film at the 92nd Annual Academy Awards, the first non-English language picture to win the Best Picture award. It was also a rare horror film to win Best Picture as well.

Horror has been part of cinema almost since its inception. Throughout the years, it has tapped into the darkest places of the human mind and has represented different eras of collective fears. It has also, unfortunately, been regarded as lesser cinema because of its history of low budget productions that, though charming, are not exactly high art.

Given the abundance of zombie films these days, it's not easy to craft a deep, imaginative movie that utilizes these concepts and themes. Yet, South Korean filmmaker Na Hong-jin manages to achieve this with his intense and unsettling horror, The Wailing.

The Witch: A New England Folktale – referred to more commonly as The Witch – marked one of the most impressive directorial debuts of the decade, with Robert Eggers receiving widespread acclaim for the provocative 2015 supernatural horror.

South Korea is no slouch when it comes to horror. The amount of scary movies the country has amassed since the great boom in the 2000s is downright astounding. It was during that time that various Asian countries were all but competing to see whose movies could frighten people the most. In of diversity, though, Korean horror has other places beat. At its disposal, "K-horror" boasts ghost stories, vicious slashers, psychological horror, and so much more besides. Fans of all kinds of horror are catered for.

Remaking foreign horror films is far from a new idea at this point, despite the inherent struggles sometimes involved in translating concepts between two very different cultures. Especially popular in Hollywood - at least since 2002's The Ring proved to be a massive success - is remaking Asian horror for English-speaking audiences; a practice that while not as popular as it once was, still occurs on a fairly regular clip.