Summary
- Colin Firth and Jennifer Ehle's chemistry was real both on and off-screen, adding authenticity to their iconic Pride & Prejudice characters.
- The adaptation's cinematic approach with fast cuts and moving cameras set a new standard for BBC period dramas, engaging modern audiences.
- Historical details like the Gretna Green elopement and Bingley's new wealth add depth to the Regency era setting of Pride & Prejudice.
Before the world was collectively falling under the spell of the Downton Abbey cast, another cast had audiences swooning over period costumes, incontrovertible storytelling, and pithy dialogue; the the best Pride & Prejudice adaptations.
The miniseries has been widely regarded as one of the best BBC adaptations and the moment Colin Firth became a global phenomenon as Mr. Darcy, bringing life to one of the most famous characters in all of literature. He goes toe-to-toe with Jennifer Ehle as Elizabeth Bennet, one of literature's greatest heroines, over matters of birthright, class, and economic status. Only after they explore their understandings of "pride" and "prejudice" can they be together in this 19th-century masterpiece. However, along with the compelling narrative and impressive production value, there are many hidden details that fans might have missed.
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The Lake Scene Wasn't In The Pride & Prejudice Book
The Idea Was Created By Screenwriter Andrew Davis
One of the most memorable scenes in BBC's Pride & Prejudice adaptation features Colin Firth's Mr. Darcy emerging from the lake at Pemberley, his shirt clinging to his chest and his pants dripping with water. This iconic moment, however, never appeared in Jane Austen's novel. Such a scene would have been considered far too scandalous for the author to include in her 19th-century work.
The scene's creation was the brainchild of screenwriter Andrew Davies (via BBC). Contrary to what audiences might assume, Davies did not intend to titillate the audience with Darcy's wet shirt. Instead, his goal was to add a touch of humor to the otherwise serious series. Davies imagined how amusing it would be to see the usually composed and dignified Darcy looking slightly ridiculous, trying to maintain his poise despite his soggy state. This unexpected and humanizing moment quickly became one of the most beloved scenes in the adaptation, illustrating Darcy's vulnerability and endearing him even more to viewers.
The Romance Between Colin Firth & Jennifer Ehle Was Real
They Became A Couple After Pride & Prejudice Was Shot
The palpable chemistry between Colin Firth and Jennifer Ehle in Pride & Prejudice wasn't just exceptional acting—it was genuine. During the filming of the series, the romantic sparks between the actors mirrored the budding relationship of their characters, Mr. Darcy and Elizabeth Bennet. As they portrayed the iconic couple's journey from misunderstanding to deep affection, Firth and Ehle found themselves similarly drawn to each other off-screen.
By the end of the 12-week shoot, Firth and Ehle had become a real-life couple (via The Guardian), stepping out together in public as a romantic pair. While their relationship did not endure as long as the timeless love story of Elizabeth and Darcy, it added an extra layer of authenticity to their performances. The actors later reunited on screen in the acclaimed film The King's Speech, although their off-screen romance had ended by then. Their brief but genuine connection remains a fascinating footnote in the history of this beloved adaptation.
Jane Bennet Actor Susannah Harker Was Pregnant
Bennet's Mother, Polly Adams, Also Played Susannah Harker In The 1967 Adaptation
During the filming of Pride & Prejudice, Jane Bennet's Susannah Harker was pregnant (via Elegance of Fashion). Fortunately, the design of early 19th-century women's fashion made it possible to conceal her baby bump. The "empire waistline," inspired by Grecian dresses, was a popular style of the time. This design emphasized the bust and allowed the fabric to flow loosely from just below the chest, effectively disguising Harker's pregnancy.
The choice of costumes was not only historically accurate but also practical, ensuring that Jane Bennet's character remained elegant and graceful on screen. Adding a layer of interest to this detail, Susannah Harker is the daughter of Polly Adams, who played Jane Bennet in the 1967 adaptation of Pride & Prejudice. This familial connection adds a unique dimension to Harker's performance, bridging two generations of actresses embodying the same beloved character.
Colin Firth Played Two Mr. Darcys
Bridget Jones's Diary Author Helen Fielding Was Influenced By Pride & Prejudice
Colin Firth's portrayal of Mr. Darcy in BBC's Pride & Prejudice left such a lasting impression that it inspired a new iteration of the character in popular culture. Helen Fielding, a devoted fan of the series, wrote her best-selling novel Bridget Jones's Diary with Firth's Darcy in mind, creating the character of Mark Darcy. In a delightful twist of fate, Firth was cast as Mark Darcy in the film adaptation of Fielding's novel.
This meta-casting brought an extra layer of charm and intertextuality to the film
Firth's performance in Bridget Jones's Diary opposite Renée Zellweger in the movie, who masterfully adopted a British accent for her role, echoed his iconic portrayal of Fitzwilliam Darcy. This meta-casting brought an extra layer of charm and intertextuality to the film, as audiences appreciated the nod to Firth's previous role. Jennifer Ehle, who played Elizabeth Bennet in the BBC series, also had to perfect a British accent for her part, paralleling Zellweger's linguistic transformation. This unique crossover solidified Firth's legacy as the quintessential Mr. Darcy in both period drama and contemporary romantic comedy.
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The Costumes Have Been Seen In Other BBC Series
Persuasion, Vanity Fair, & Byron All Feature The Miniseries' Costumes
In the world of period dramas, recycling costumes is a practical and cost-effective strategy, given the considerable time and expense involved in creating historically accurate garments. BBC's Pride & Prejudice's costumes are no exception, with several costumes making repeat appearances in other productions (via Elegance of Fashion). One notable example is the Spencer jacket and green striped gown worn by Caroline Bingley at Netherfield Hall.
This ensemble has been reused across multiple BBC series. Julia Davis donned it at Kellynch Hall in 2007's Persuasion, Vicki Pepperdine wore it in park scenes in 2008's Vanity Fair, and it even appeared in a party scene in 2003's Byron. This practice not only showcases the versatility and craftsmanship of these costumes but also adds a layer of continuity and recognition for keen-eyed viewers who follow various period dramas. The repeated use of these garments is common practice in the film and television industry.
Pride & Prejudice Was Very Cinematic For The BBC
Fast Cuts & Moving Cameras Were New Styles For BBC Productions
The BBC adaptation of Pride & Prejudice stood out for its cinematic approach, transforming a televised serial into a visually dynamic and dramatic experience. Departing from the static, formal style of previous BBC productions, this version employed wide-open shots, fast cuts, and moving cameras to create a sense of motion and urgency. The series' exciting pacing benefited from these techniques, eschewing the slower, more staid presentation of earlier adaptations.
This innovative approach not only revitalized the story for modern audiences but also established a new standard for period adaptations
Filming on location in historic homes and outdoor settings, rather than on confined studio sets, added authenticity and vibrancy to the visuals. Shot in 16mm, the series had a filmic quality that enhanced its appeal and set it apart from other period dramas. Characters were frequently in motion, contributing to the sense of immediacy and engagement. This innovative approach not only revitalized the story for modern audiences but also established a new standard for period adaptations, blending traditional storytelling with contemporary cinematic flair.
Certain Pride & Prejudice Cast Are Related To Famous People
Helena Bonham-Carter Is The Daughter Of Mr. Bingley Actor Crispin Bonham-Carter
In the close-knit world of British actors, especially those in BBC period dramas, it's not uncommon to find familial connections among the cast. This familiarity often adds an extra layer of interest for viewers, knowing that some actors share notable family ties. Crispin Bonham-Carter, who portrayed Mr. Bingley in Pride & Prejudice, is related to the renowned actress Helena Bonham-Carter. He also appeared in Bridget Jones's Diary as an employee of Pemberley Press, a delightful nod to his role in the Austen adaptation.
Additionally, Anna Chancellor, who played his sister Caroline Bingley, has an impressive lineage herself; she is Jane Austen's niece by eight generations. These connections highlight the rich tapestry of talent within British acting circles and add a touch of historical and familial intrigue to the production. Such ties between cast and famous relatives contribute to the charm and depth of the series, enriching the viewing experience for fans of both classic literature and British drama.
The Pride & Prejudice Proposal Scene Was Filmed First
Television Productions Often Shoot Scenes Out Of Order For Logicistical Purposes
Contrary to what viewers might expect from a slow-burning romance, the intense proposal scene in BBC's Pride & Prejudice was the very first scene Colin Firth and Jennifer Ehle filmed together. This pivotal moment, where Mr. Darcy ionately declares his feelings only to be rejected by Elizabeth Bennet, set the stage for their dynamic performances throughout the series. Remarkably, the actors delivered such powerful and convincing performances that the scene was completed in just two takes.
This early success infused their portrayals with added depth and energy, creating a strong foundation for their on-screen chemistry. Their ability to convey such verve and ion from the outset speaks volumes about their talent and dedication to their roles. The intensity and authenticity they brought to this first scene also played a role in their off-screen relationship, as the actors began dating during the production. This real-life romance added an extra layer of intrigue to their already compelling on-screen dynamic, contributing to the series' enduring appeal.
Darcy Gets More Focus Than In The Pride & Prejudice Book
Mr. Darcy Is More Elusive In Jane Austen's Novel
In Jane Austen's novel, while Elizabeth Bennet and Mr. Darcy's romance is central, the narrative predominantly centers on Elizabeth's perspective, offering limited insight into Darcy's character. He is described chiefly through his aloof, arrogant demeanor and reserved nature, with little physical description provided. Screenwriter Andrew Davies recognized the need to develop Darcy's character further for the BBC adaptation. To achieve this, he emphasized Darcy's actions and inner life, showcasing scenes of him horseback riding, fencing, bathing, and reflecting on his past with Wickham.
These moments allowed viewers to witness Darcy's private struggles and unspoken emotions, thereby portraying him as a more rounded and complex character. By giving Darcy more screen time and exploring his personal experiences and fantasies about Elizabeth, Davies created a more balanced portrayal of the romance. This focus on Darcy's character not only enhanced the dramatic tension but also provided a deeper understanding of his transformation and vulnerability, enriching the overall narrative.
Pride & Prejudice's Greta Green Is Steeped In Historical Context
Gretna Green Is Known For Its Quick, Unregulated Marriages
Certain references in the BBC's Pride & Prejudice are steeped in historical context, resonating more profoundly with audiences familiar with the Regency era. For example, when Mr. Bingley rents Netherfield Hall, it subtly indicates that his family's wealth is relatively new, lacking the generational inheritance of a grand estate. Another telling reference is Lydia and Wickham's elopement to Gretna Green in Scotland. This location was infamous in the Regency period, akin to modern-day Las Vegas.
It was known for its quick, unregulated marriages, attracting couples looking to by England's stringent marriage laws, which required parental consent for anyone under 21. Gretna Green represented a place of impulsive and often scandalous unions, symbolizing the reckless and rebellious nature of Lydia and Wickham's relationship. These historical nuances in Pride & Prejudice add depth to the story, highlighting the societal norms and expectations of the time. Understanding these details enriches the viewing experience, revealing the layers of meaning behind seemingly simple plot points.
Sources: BBC, The Guardian, Elegance of Fashion, Elegance of Fashion,
Pride and Prejudice follows the turbulent relationship between Elizabeth Bennet, the daughter of a country gentleman, and Fitzwilliam Darcy, a rich aristocratic landowner. They must overcome the titular sins of pride and prejudice in order to fall in love and marry.
- Seasons
- 1.0
- Creator(s)
- Andrew Davies
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