Summary

• The best TV shows of all time span various genres, showcasing their substantial impact on culture and the television medium since the 1950s.
• Critical acclaim, cultural impact, popularity, and influence on the television medium are important factors in determining the best TV shows of all time.
• The likes of Life on Mars, Only Fools and Horses, Stranger Things, Oz, The Golden Girls, The X-Files, and Six Feet Under are all considered among the greatest TV shows of all time due to their cultural significance, critical acclaim, and success.

The best TV shows of all time cover a wide range of genres, topics, and generational conflicts that continue to have substantial impacts on the wider culture and the television medium itself. Television might have once been viewed as a lesser medium than movies, but some of the greatest prestige TV shows, classic sitcoms, and sketch shows have massively shaped the cultural conscience and changed how audiences interact with media since the 1950s.

With a vast number of series to pull from throughout the history of the medium, the best TV shows of all time achieve some variation of critical acclaim, beloved legacies, and cultural significance. Prestige dramas may tend to have an advantage with reputations as the greatest shows of all time, but the cultural impact and popularity must also be ed for with groundbreaking horror shows, legendary sitcoms, and sci-fi hits. While the ultimate ranking will always be subjective, Screen Rant's list of the best TV shows of all time takes a holistic approach based on a combination of factors like awards, critical and audience acclaim, cultural effect, influence on the television medium, and larger legacy.

60 The Marvelous Mrs. Maisel (2017-2023)

A New York housewife discovers new life on the stand-up scene

Amy Sherman-Palladino's longest-running show outside of Gilmore Girls, The Marvelous Mrs. Maisel is, in many ways, ideal for fans of that series. Led by a smart brunette who becomes a single mom and fires off the creator's dizzyingly-fast dialogue without missing a beat, and including Sherman-Palladino's incredible flair for costuming and production, it's got plenty of hallmarks that make it instantly appealing.

However, The Marvelous Mrs. Maisel isn't just another Gilmore Girls, but stands as its own unique series that more than deserves its individual plaudits. The Amazon Prime show conjures up an incredible sense of place - specifically, the comedy scene of New York in the 1950s - and it's a perfect match for Sherman-Palladino's witty-yet-poignant writing and star Rachel Brosnahan's remarkable performance. Brosnahan is tasked wearing multiple hats (sometimes literally - again, the costumes are great) as a mother, a divorcee, a woman navigating a man's world, and convincing as a great stand-up comic, all of which she makes look effortless.

The rest of The Marvelous Mrs. Maisel's cast is superb, adding a richness to both Midge's family life and the comedy world, and often excelling when those two intersect. It is, as one would hope for a show "about comedy," absolutely hilarious and charming, but also at its best is incredibly emotional too. The show isn't always completely even throughout its five-season run, but it is always enjoyable and nails its ending in a manner that's worthy of a standing ovation. - James Hunt, SR Senior Editor

59 One Piece (2023 - )

A lesson in how to adapt anime to live-action

Despite many, many failed attempts, anime has long been known as borderline impossible to successfully translate to live-action - but Netflix's One Piece is a masterclass in how to do it right. Adapting one of the longest-running anime series ever (over a thousand episodes and counting), the series follows Monkey D Luffy (Inaki Godoy), a wanna-be pirate with rubber limbs, as he sets out in search of adventure and the legendary One Piece treasure. In so many ways, this pirate-themed anime sounds too out-there to find a mainstream audience; devil fruits, semi-magical powers, wild bands of roving pirates who all have their own theme, 'fishmen', and more abound in this wacky universe.

However, the show manages to carefully find the perfect balance between leaning into its anime roots (with characters shouting out finishing moves, and over the top costuming and situations) and grounding the entire show in the human element. Surly old men cutting off limbs to save children, good people fighting for their homes, found family, and tragedy are interwoven with the high-seas adventures, and magically, it works. While the show is still only one season in, it would have to change drastically to be anything but a long-term hit.

58 Grey's Anatomy (2005-)

Incredibly long-running medical drama that has radically shifted identity

Now into its 20th season, Grey's Anatomy is among the longest running TV dramas of all time, with more than 420 episodes and two spin-offs. Neither Private Practice nor the superior Station 19 have ever quite hit the heights of their parent show, but both follow the formula that Shonda Rhimes' most famous show thrived on. Most impressively, Grey's Anatomy stepped out into a brave new world in season 19 as Ellen Pompeo's lead character stepped away to become an occasional guest star. Very few shows ever survive such a dramatic change, but Grey's was never just about Meredith. To use a tired expression with real sentiment, the best parts were mostly the friends she made along the way.

More than just a medical drama, but compelling in its case-of-the-week set-up when it did snap back to that formula, Grey's Anatomy is more like a soap opera, punctuated by profound (and often break-neck) romances, often very funny comedy, huge charm, and the kind of bloodlust you'd usually expect from way darker shows. Grey's Anatomy knows how to make you cry, knows how to make you care, and has a terribly irresistible knack for emotional manipulation across the rest of the spectrum.

It may have lost its way at times, but the new class of interns introduced in season 18 revived the charm and humor of the earliest seasons, and the veterans continue to be familiar, comforting, and capable of surprises. It will end at some point, but there's more than enough life in it to continue for a while yet. - Simon Gallagher, Executive Editor

57 Only Fools And Horses (1981-2003)

Working class comedy heroes unite in a British classic

One of the most iconic British sitcoms of all time is John Sullivan's Only Fools and Horses, which originally ran for seven seasons from 1981 until 1991, and then returned to screens with specials until 2003. The series follows the highs and lows of the working-class Trotter family as they attempt to get rich, with many ing characters including their significant others and neighbors. A proper sleeper hit, Only Fools and Horses made little impact upon its initial release before becoming a massive success with audiences and critics alike in its later seasons.

In addition to holding UK records for sitcom viewership, the show boasts an undeniable impact on British culture today as the source of several popular English phrases and words. The series also earned several BAFTA awards and British Comedy Awards, and finds itself on several modern lists of the greatest sitcoms, British TV shows, and characters in television history. With seven seasons through 1991 and a total of 16 sporadic Christmas specials through 2003, Only Fools and Horses has had a pervasive, global cultural influence that firmly establishes it as one of the greatest sitcoms of all time.

56 Sex And The City (1998 - 2004)

A groundbreaking series about female friendships and dating in the city

Sex and the City may have become known as a show that really didn't age well, but let's not forget that when it originally aired, it was absolutely groundbreaking on multiple levels. The series follows four friends - Carrie Bradshaw (Sarah Jessica Parker), Miranda Hobbes (Cynthia Nixon), Samantha Jones (Kim Cattrall) and Charlotte York (Kristin Davis) as they navigate life and love in New York City. While that may seem a premise so common as to be cliche in 2024, in 1998 it was rare to see a show led entirely by an ensemble cast of women - especially young, attractive, successful women who were talking openly about sex. Golden Girls paved the way, of course, but Sex and the City moved past the episodic format, and got more explicit about sex and dating than any previous mainstream show.

The series was lauded for portraying women who were open about sex in a positive light (especially Samantha), and while many of sex-columnist Carrie's views would get her canceled today (for good reason), the series remains a fantastic snapshot into 90s feminism and female empowerment. Beyond that, it is a deliciously aspirational and moreish show, much like Darren Starr's more recent offerings, Emily in Paris and Younger.

Sex and the City won 7 Primetime Emmys and a slew of other awards, and spawned two movies and an ongoing revival, And Just Like That. Unfortunately, though, the revival spends too much time overcompensating for the flaws of the original, and not enough time recapturing the magic of it.

55 The Umbrella Academy

Netflix's weirdest family of superhero oddities save the world again and again

In the Stranger Things era of Netflix, you'd be forgiven for thinking that the Hawkins, Indiana residents would have the apocalyptic oddball family dynamic sewn-up to themselves. You'd be wrong, thanks to The Umbrella Academy. Adapted from the comics by My Chemical Romance frontman Gerard Way and illustrator Gabriel Bá, Netflix's weird take on the end of the world is high-stakes, high-concept sci-fi with a post-superhero edge. Along with The Boys, The Umbrella Academy also proves there's more to successful comic book screen franchises than Marvel and DC - neither of whom would be strange or emo enough to do the source material justice.

Thanks to an exceptional cast and a dark, creative commitment to storytelling, The Umbrella Academy lives and dies on its character interplay, which is a stunning achievement when you consider the caliber of the distractions on show. Even as the Academy flirt with destroying the world repeatedly, or come up against new existence-threatening threats, the bigger stakes center on their own personal journeys. Will the ghost get eternal rest? Will the half-monkey man marry his own sister? Will the middle-aged man trapped in the schoolboy's body ever know love like he did with his mannequin head? It all sounds ridiculous, but that's exactly the point. It's a joy. - Simon Gallagher, Executive Editor

54 Gilmore Girls (2000-2007, 2016)

The ultimate cozy Autumnal comedy

Gilmore Girls is the ultimate comfort blanket TV show, praise that helps explain why it's still so beloved despite premiering back in the year 2000, but simultaneously downplays just how great it is. Yes, Gilmore Girls is a cozy show. It's made for watching in Fall, for curling up with and endlessly binge-watching when you don't want to go outside (accompanied, of course, by copious cups of coffee). It's easy to watch, and re-watch, and then re-watch again.

That's all part of Gilmore Girls' easy charm, but it belies just how smart Amy Sherman-Palladino's hit is. There's more to this than comfort and warmth (though it undeniably offers that). It's the rare TV show that fully explores a mother-daughter dynamic, and in it finds not only huge amounts of humor, but also proves TV shows don't just need to be about mob bosses to provide rich, compelling drama.

The rapid-fire dialogue that became the show's trademark is truly astonishing, both in just how many jokes and references are packed into it, and how Lauren Graham, in particular, delivers it so flawlessly. Indeed, that Graham never won an Emmy for her performance as Lorelai Gilmore is a great oversight, giving a layered performance that nails not only the comedy, but the emotional complexities of her relationships with her daughter, Rory (Alexis Bledel), and her parents, Emily and Richard (Kelly Bishop and the late Edward Herrmann).

The town of Stars Hollow itself is also a true marvel. Right from the beginning, it feels so lived-in and fleshed-out, at once realistic and yet with a fantastical quality. And with it comes one of the widest arrays of memorable ing characters and town residents this side of peak The Simpsons. Watching it transports you to a different place while still being relatable, it can make you laugh and cry in the same episode, and it's all part of the show's indelible magic. - James Hunt, SR Senior Editor

53 Catastrophe (2015-2019)

A devastating, unflinching, uplifting comedy

Much like other British comedies Fleabag, The Office, and Fawlty Towers, Catastrophe never stuck around long enough to outstay its welcome, and for four glorious years, it was some of the most profound TV to watch. Created by comedy actors Sharon Horgan and Rob Delaney, it is a sitcom in the purest sense, where the situation provides all the comedy. Only, with Catastrophe - whose title refers, incredibly - to the simple nightmare of an unwanted child - there is as much trauma as there are laughs. Both Delaney and Horgan - who also star as a couple whose one night stand leads to migration, marriage, and endless mortal anxiety - are excellent, and the comedy is just too real.

For anyone familiar with the real life tragedy of Delaney's son and his blisteringly real book talking about little Henry's death and how he processed his grief, which was the backdrop to Catastrophe's third season, it should come as no surprise that sadness is as familiar here as warmth. Catastrophe is painful, brave television, and it deserves to be spoken of as among the very best British shows of all time. - Simon Gallagher, Executive Editor

52 Life On Mars (2006-2007)

High-concept British Sci-Fi meets 1970s Cop Drama

The British TV series Life on Mars is renowned for its successful combination of various genres, being able to wear the labels of sci-fi, mystery, time travel, period drama, and police procedural. Life on Mars follows police officer Sam Tyler from 2006 Manchester, who finds himself mysteriously transported back to the 1970s after an accident.

Life on Mars is also well-ed for its ambiguity in regard to Sam's fate, leaving audiences and characters equally uncertain about whether he is comatose, deceased, or truly traveling back in time. The popularity of Life on Mars' two-season story inspired numerous international remakes, including a short-lived American series, and earned the International Emmy Award for Best Drama Series twice.

51 This Is Us (2016 - 2022)

A brilliantly complex portrait of family, connection, and life moving forward

This Is Us sounds simple enough on the surface - it is the story of one family, the Pearsons, centered around the Pearson triplets: Randall (Sterling K Brown), Kate (Chrissy Metz), and Kevin (Justin Hartley). The series covers their birth, childhood, and adulthood, but this is so much more than just a straightforward family drama. The show is known for the way that it weaves together multiple timelines, with some scenes set in the 'present' day, where the triplets are adults, and some set in their past, and others delving into the life stories of their parents, and others still leaping forward to the future.

These timelines come together to highlight parallels between the lives of generations, to teach lessons, and provide the many, many twists that the series was praised for. The ability to create so many shocking reveals without ever delving into soap opera is a testament to the skill of Dan Fogelman. The show is also incredibly relatable, meaning that the joys and sorrows of the characters hit incredibly hard - especially as the show continues, it's rare to get through an episode without crying, although whether those tears are sad or happy is something that is often impossible to tell.