Summary
- Greta Gerwig's Narnia adaptations face a major challenge in living up to the success of "Barbie."
- The first book in the Narnia series is rated highest, making it tricky to maintain quality in future movies.
- Gerwig may consider starting the series with "The Magician's Nephew" for a fresh take on the beloved franchise.
Greta Gerwig's adaptations of Netflix to make two Chronicles of Narnia movies, which will bring C.S. Lewis's beloved fantasy novels to life for the first time since Disney's series in the 2000s. There are few details about her plans for the franchise, though filming is expected to begin in 2024.
Disney's Chronicles of Narnia films are beloved adaptations by some, but they aren't perfect. They arrived shortly after Peter Jackson's adaptations of The Lord of the Rings in a wave of Hollywood fantasy movies, though they've never been perceived as being as definitive or impalpable as the LOTR trilogy. Therefore, there's plenty of room for an incredible talent like Greta Gerwig to give the Narnia stories a newfound popularity. After many fantasy TV shows have struggled, the Chronicles of Narnia movies could be exactly what the fantasy genre needs.
The Lion, The Witch, and The Wardrobe Is Always The Best Narnia Story
The Chronicles Of Narnia Franchise Risks Going Downhill After The First Movie
The biggest challenge with adapting The Chronicles of Narnia is that the first book is the best. The first Disney adaptation of The Lion, the Witch, and the Wardrobe is the clear standout of the three movies they made, and it's partially because it's the most compelling story. Out of the seven Narnia novels, the first book has by far the highest rating from audiences on GoodReads, with 4.24/5 stars. The novel has the most clear, engaging character arcs from the four Pevensie children and magically introduces the world of Narnia with an action-packed climax and conclusion.
None of the Narnia books are bad, and everyone has different favorites, but it's hard to deny that The Lion, the Witch, and the Wardrobe is the most fluid to adapt into the film medium. Moreso than any other novel in the series, the first has a direct sense of adventure and character-driven narrative. This creates a conflict when adapting the series into movies, as starting with the best and continuing to drop off in quality would likely lead to the series not being completed again.
Greta Gerwig's Chronicles Of Narnia Shouldn't Start With The Lion, The Witch, and The Wardrobe
The Magician's Nephew Would Be An Alternate First Movie Option
The order in which Greta Gerwig's Chronicles of Narnia movies should go is an interesting discussion on its own. The Disney movies have already started with The Lion, the Witch, and the Wardrobe, and they have covered most of the bases of how that story could look. When adapting a children's book that's not even 200 pages, it's difficult to bring out a feature film's length of material without making significant changes. That leaves two options: starting from a different point or vastly changing the tone and aesthetic from the way the previous movie played out.
Greta Gerwig described the Narnia books as "euphorically dreamlike,"
In an encouraging interview about the Narnia adaptations, Greta Gerwig described the Narnia books as "euphorically dreamlike," which could imply a drastic difference in her approach to the tone, as opposed to the standard blockbuster look of the Disney adaptations. Alternatively, she could start the series with The Magician's Nephew, which is the first book chronologically and in C.S. Lewis's intended reading order, despite not being the first book in the series to be released. This could differentiate her adaptations from the get-go, though it comes with its own risks, as the book doesn't feature any continuous characters.
Chronicles of Narnia Novels |
|
---|---|
Release Order |
Chronological Order |
The Lion, the Witch, and the Wardrobe |
The Magician's Nephew |
Prince Caspian |
The Lion, the Witch, and the Wardrobe |
The Voyage of the Dawn Treader |
The Horse and His Boy |
The Silver Chair |
Prince Caspian |
The Horse and His Boy |
The Voyage of the Dawn Treader |
The Magician's Nephew |
The Silver Chair |
The Last Battle |
The Last Battle |
Gerwig's Chronicles Of Narnia Movies Need To Make Every Story Stand Out
The Challenge With The Narnia Movies Is Making Each Story Compelling In Film Format
While The Lion, the Witch, and the Wardrobe is the most popular and widely read, there's immense value in every book in the Narnia series. The benefit of having a top-quality filmmaker like Greta Gerwig is that each book in the saga will hopefully have the creative backing to bring out the most from it. Not every book, whether it's Narnia or something else, translates well to film, and the key to adaptation is to make an entertaining movie while remaining faithful to core textual elements.

How Greta Gerwig's Chronicles Of Narnia Reboot Can Avoid The Disney Movies' Biggest Mistake
With Greta Gerwig's Chronicles of Narnia movies in the works at Netflix, there are critical mistakes made by the 2000s Disney versions to examine.
As for the other Chronicles of Narnia books, Greta Gerwig's task will be to find ways to elevate the elements that might not translate as naturally. That doesn't mean changing the story but finding ways to heighten aspects of characterization, provide distinct visuals, and pace the narrative in a way that suits the film medium. All this can be accomplished while maintaining C.S. Lewis's thematic values, creating Chronicles of Narnia movies that draw new audiences into his beloved world.

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
- Release Date
- December 9, 2005
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) is a fantasy film directed by Andrew Adamson. It follows the story of four siblings who discover a magical wardrobe that leads to the enchanted land of Narnia. They forces with Aslan, the majestic lion, to battle against the evil White Witch. The film features Georgie Henley, Skandar Keynes, William Moseley, and Anna Popplewell in the leading roles.
- Runtime
- 143 Minutes
- Director
- Andrew Adamson