Summary

  • War isn't exactly known for being a barrel of laughs, but Gary Larson finds some of The Far Side's best jokes in famous conflicts.
  • Larson sets comics in the midst of medieval battle, the Revolutionary War, WWI and even the Trojan War.
  • Gary Larson its his humor was shaped by growing up in the Cold War, where the threat of nuclear war was an everyday reality.

War isn't exactly known for being a barrel of laughs, but in the surreal hands of Gary Larson, The Far Side managed to find its unique brand of humor in some of civilization's most famous conflicts. Running from 1980 to 1995, Larson's comic took inspiration from many different areas of life, with a particular focus on nature, science and a love of words. However, Larson was also no stranger to depicting battlefields, mining humor from tactics and weapons of war from throughout history.

In this article, Screen Rant has collected Larson's 15 funniest comics on the subject of war, from the nuclear age way back to medieval siege warfare. Don't forget to vote in our end-of-article poll and choose which of Larson's comics about war is the best of the bunch.

15 Snakes of War

Gary Larson Imagines the Strengths and Weaknesses of a Snake Army

far side comic where snakes go to war
Custom Image by Robert Wood (from Gary Larson)

If there's one thing that defines Far Side more than anything else, it's Gary Larson's love of language. Here, he takes the phrase 'Dogs of War' - a term originating from William Shakespeare's Julius Caesar - and changes the animal to something a little less familiar. However, Larson isn't just playing with words; he also notes that a serpentine army might be surprisingly capable of some aspects of war, as the snakes are asked to crawl up towards an enemy encampment - a tactic for which they're more than qualified.

far side comic where snake soldiers hate the sidewinder because he can't stay in formation
Custom Image by Robert Wood (from Gary Larson)

In another strip combining snakes and war (above), Larson notes that not all military duties would suit snakes, as a python sergeant despairs at a sidewinder soldier who's unwilling or unable to march in formation.

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Gary Larson itted that growing up during the Cold War - and especially the Cuban Missile Crisis - helped to shape his sense of humor.

14 Washington Crosses the Delaware

Far Side Reimagines the American Revolutionary War

far side comic where washington crosses the delaware in a rental boat
Custom Image by Robert Wood (from Gary Larson)

In this strip, Gary Larson parodies Emanuel Leutze's 1851 painting Washington Crossing the Delaware, which shows future president George Washington leading his troops into position for the Battle of Trenton. The battle is considered one of the most ambitious of the American Revolutionary War, with Leutze's painting celebrating Washington for leading the daring attack. Larson comedically undercuts the moment by adding the detail of Sid - an onlooker roped into the offensive thanks to Washington renting his motorboat for the trip.

far side comic mocking the washington crosses the delaware comic

Larson's original comic was published in 1980, and he revisited the gag again in 1986, this time suggesting that Washington's heroic bearing in Leutze's painting had nothing to do with his mission, but was simply how the general moved from place to place.

13 Trojan Horse

Far Side Visits the Trojan War

far side comic about the trojan horse
Custom Image by Robert Wood (from Gary Larson)

The Trojan Horse is perfect subject matter for Gary Larson - an iconic image with a clear narrative attached, which The Far Side can then subvert with his own unique sense of humor. Larson keeps it simple with this strip, pulling his favorite trick of adding mundane details to a larger-than-life situation, as one of the Greeks realizes their bladder isn't compatible with this particularly military strategy. Indeed, Larson used this exact idea twice, and it's funny to imagine that his other Trojan Horse strip (below) is set a few moments later, with the 'call of nature' having infected the entire fighting force.

far side comic where the soldiers leave the trojan horse to pee
Custom Image by Robert Wood (from Gary Larson)

Indeed, to modern eyes - and in a society where the story of the Trojan Horse is well known - the gift of a gigantic wooden horse is already bizarre, and accepting such an obvious trick even moreso. Larson mines this humor in another strip where, instead of a giant wooden horse, the soldiers line up one by one to create "a big weiner dog."

far side comic about trojan horse where it's a weiner dog
Custom Image by Robert Wood (from Gary Larson)

The Trojan Horse is considered a myth by historians, however there is more debate on whether the Trojan War itself ever took place. Set during the late Bronze Age, archeological evidence suggests that the ten-year siege of Troy never took place, however it was seen as a real historical event by the ancient Greeks themselves.

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12 Army Ants

Gary Larson Takes Insects' Military Credentials Too Seriously

far side comic where army ants have explosives
Custom Image by Robert Wood (from Gary Larson)

This strip combines the Far Side's two greatest loves - wordplay and insects. As two young lovers sit down for a picnic, they're besieged by ants - but these being army ants, they intend to claim the chicken legs and potato salad with heavy ordnance. Larson loves to depict insects in The Far Side, often taking the side of the tiny creatures that somehow have to figure out how to live around humans - including the especially dangerous young humans, who are prone to capturing them in jars.

far side comics where insects campaign to have those in jars freed
Custom Image by Robert Wood (from Gary Larson)

Larson's love of insects led to multiple insect species being named in his honor by fans, including the louse strigiphilus garylarsoni and the butterfly serratoterga larsoni. Thankfully, none of the insects bearing the Far Side creator's name have carried out serious attacks on picnic-ers... at time of writing.

Gary Larson didn't target rival comics often, but one strip basically declares war on Peanuts' lovable dog Snoopy.

11 Bomb Shelter

The Far Side Considers the Mundane Problems of a Nuclear Apocalypse

the far side comic about a bomb shelter
Custom Image by Robert Wood (from Gary Larson)

Larson loves a bomb shelter gag, and this strip explores the practical realities of trying to survive nuclear war hidden underground. A lot of Far Side strips play with - or outright depict - the idea of nuclear annihilation, and this is no coincidence. In a 1987 interview with 20/20, Larson itted that growing up during the Cold War - and especially the Cuban Missile Crisis - helped to shape his sense of humor, saying:

I sitting in my seventh-grade English class thinking that the world was going to end during the Cuban Missile Crisis. It made you look at the world a little bit askew.

This fact helps to put a lot The Far Side's worldview into context, as its characters inhabit a dangerous world where things can go very wrong very quickly. However, this sense of possible doom also dovetails with Larson's love of nature and choice not to ignore the harsh, danger-filled life that most animals live. Larson treats humans as just another kind of animal, not lending danger any extra weight just because the potential victims are Homo sapiens rather than Felis catus.

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10 What If We Gave a War...

Far Side Flips a Vietnam War Protest Slogan

far side comic mocking war
Custom Image by Robert Wood (from Gary Larson)

This Far Side strip is a rare example of Larson's humor being confusing for modern readers. The strip refers to a popular anti-war slogan used during the '60s to protest the Vietnam War, during which civilians being conscripted into military service via draft lottery was a particularly hot-button issue. Vietnam is often described as "the first televised war," with direct coverage from warzones leading to particularly widespread opposition. Indeed, the Smithsonian National Museum of American History acknowledges the historical importance of 'Suppose they gave a war and nobody came,' keeping a sign emblazoned with the slogan in its collection relating to 'Protest and Civil Disobedience.'

Larson offers up a surprisingly grim take on the slogan, with generals discussing its suggestion as a possibility while planning out an unspecified conflict. The joke hinges on the dark humor of one general fantasizing about a world where everyone does come to the war; presumably one of mass suffering and bloodshed. However, the strip also engages with the Vietnam era phrase on a darker level, drawing humor from the idea of military leaders ever actually being phased by the idea.

9 Love Boat

The Far Side's Ultimate '80s Comic

the far side comic where the love boat sails into the strait of hormuz
Custom Image by Robert Wood (from Gary Larson)

As with the Vietnam War gag above, this strip may not make immediate sense to younger Far Side fans. Larson's comic combines two topics that are less-than-fresh for the modern reader - the 1970s romantic drama Love Boat and the 1984 Tanker War (as well as the larger military history of this strategically important waterway.) While Larson had a great eye for which classic TV shows would stand the test of time, The Love Boat didn't hold up as well as his strips on Star Trek, Jeopardy and The Flintstones.

Larson imagines the characters of Love Boat stumbling across the heavily contested waters, contrasting the happy-go-lucky tone of the show with real-life military tensions. In another strip contrasting the light-hearted show with dark subject matter, Larson seemingly shows how this standoff ends.

the far side fish explore a sunken love boat
Custom Image by Robert Wood (from Gary Larson)
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8 "Throw the Grenade"

Like Beetle Bailey, Far Side Finds Humor in Unprofessional Soldiers

far side comic about throwing grenades
Custom Image by Robert Wood (from Gary Larson)

One of Gary Larson's favorite jokes when it comes to depicting war is showing military personnel acting more like excitable kids than hardened soldiers - something he has in common with Mort Walker's contemporary comic strip Beetle Bailey. In this case, Private Johnson has to be sternly instructed not to give the enemy a warning when hurling a live grenade. In this early comic, Larson showcases one of the techniques that make his jokes so satisfying - alluding to a previous, unseen moment that's funnier for the reader to imagine than to actually see.

Depicting unsympathetic injuries is one of the reasons Larson didn't want to use recurring characters, not wanting readers to get too attached and sympathetic.

7 Clown vs the World

Gary Larson Justifies Your Fear of Clowns

far side comic where a clown has control of missiles
Custom Image by Robert Wood (from Gary Larson)

While some of The Far Side's war comics rely on knowledge of real-world events, this strip is built on simple wordplay, as the insult 'clown' becomes incredibly literal. The harlequin in question has apparently wandered into a military base and is about to kick off a global thermonuclear conflict. Making things even worse, the clown doesn't appear to have any particular emotional response - he's mostly pushing the button to see what it does.

Larson has an odd habit of combining clowns with violence - in the comics above, clowns are shot, beaten and face the electric chair, while also dealing out their own brand of violence. It's the classic trick of contrasting two very different tones - something that's inherent to The Far Side and Larson's sense of humor. In an interview with Larson was asked why cows appear so often in his comics, replying that he feels they "blur the line between tragedy and humor." While The Far Side certainly accomplishes this with its cow comics, Larson has a definite tendency to treat clowns in the same way.

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6 The Battle of Bunker Hill

The Far Side Returns to the Revolutionary War

far side comic about american civil war
Custom Image by Robert Wood (from Gary Larson)

"Don't fire until you see the whites of their eyes" is an iconic instruction attributed to the real-life Battle of Bunker Hill, meaning that soldiers shouldn't fire their weapons until the enemy are incredibly close, prioritizing a single, accurate burst of gunfire over hurried efforts to shoot twice. Again, Larson twists the logic of this historical story by taking a turn of phrase incredibly literally, turning one unfortunate, big-eyed soldier into a target for the entire enemy army, since his eyes well before his fellow redcoats'.

It's unlikely the phrase "don't fire until you see the whites of their eyes" was actually used at the Battle of Bunker Hill, with historians speculating it's essentially a legend, and even those who claim it took place attributing the quote to a handful of different historical figures. Added to this is the fact that similar phrases have been used throughout military history, going back to the 1600s, meaning that even if it was used in this particular battle, it certainly didn't originate there.