Summary

  • Hondo's unconventional swimming lesson embodies Wayne's no-nonsense heroism in unique ways, showcasing his iconic screen presence.
  • Chisum's defense of Chief White Buffalo emphasizes justice and respect, highlighting Wayne's moral heroism and character growth.
  • El Dorado's final shootout epitomizes Wayne's enduring Western hero status, showcasing his spirit and gunfighting prowess.

John Wayne has delivered remarkably impactful moments on screen within the Western genre, and these scenes stand out as some of the most memorable in his career. Throughout his illustrious filmography, Wayne's performances have captivated audiences, showcasing his charisma, commanding screen presence, and ability to embody the quintessential Western hero. From his iconic portrayal of Ethan Edwards in The Searchers to his Academy Award-winning role as Rooster Cogburn in True Grit, Wayne's contributions to the genre have made a major impact in Western films.

John Wayne’s collaborations with John Ford in Western movies such as Stagecoach and The Man Who Shot Liberty Valance, among others, have become classics, thanks in no small part to Wayne's memorable performances and the unforgettable scenes that have become synonymous with his name. These moments showcase the depth and range of Wayne's acting abilities. In exploring some of the greatest scenes from John Wayne's Western films, it becomes evident that his legacy extends far beyond his iconic status, cementing his place as one of the most influential and beloved actors in the history of the Western genre.

10 Hondo Teaches Johnny How To Swim

Hondo (1953)

The swimming lesson scene in Hondo is the perfect visual example of John Wayne's iconic screen presence and his ability to deliver a memorable performance through understated actions and dialogue. Wayne's portrayal of Hondo, a man of few words but strong convictions, shines in this scene as he takes an unconventional approach to teaching young Johnny (Lee Aaker) how to swim. The scene exemplifies Wayne's trademark no-nonsense attitude and his character's belief in the value of self-reliance, making it a standout moment in the film.

The scene's impact extends beyond its entertainment value, as it encapsulates the essence of the Western genre and the archetypal hero that Wayne often portrays. Hondo's tough-love approach to mentoring Johnny reflects the rugged individualism and the importance of overcoming adversity that are central themes in many of Wayne's Western films. The memorable exchange between Hondo and Angie (Geraldine Page) injects a touch of humor into the scene, further highlighting Wayne's ability to deliver iconic lines with his distinctive swagger.

Hondo
Not Rated
Western

WHERE TO WATCH

Release Date
November 26, 1953
Main Genre
Western
Related
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John Wayne is widely known for his iconic roles in classic Westerns and war movies, but his acting talents actually extend to all genres in Hollywood.

9 Chisum Stands Up For White Buffalo

Chisum (1970)

In a poignant scene from the 1970 film Chisum, John Wayne's character demonstrates his strong sense of justice and respect for others, regardless of their past conflicts. When an Army First Sergeant (John Pickard) physically confronts Chief White Buffalo (Abraham Sofaer), a former rival of Chisum's, the seasoned cattle rancher steps in to defend the Native American leader. This moment showcases Chisum's moral com and his ability to put aside old grudges in the face of injustice, emphasizing the character's growth and the mutual respect that has developed between the two former adversaries.

Chisum's stern warning to the sergeant, underscores the film's central theme of standing up for what is right. The powerful exchange, though brief, exemplifies Wayne's portrayal of a principled hero who fights not only for his own interests, but also for the dignity and well-being of others. This scene serves as a microcosm of the larger narrative, highlighting the complexities of the relationships between the characters and the evolving nature of the American West.

8 The Final Shootout

El Dorado (1966)

In the gripping final shootout of El Dorado, John Wayne's character, Cole Thornton, faces off against the villainous Jason (Ed Asner) and Nelse McLeod (Christopher George) in a tense confrontation outside the local saloon. Despite the debilitating bullet wound that has left his right hand partially paralyzed, Thornton proves his status as a true Western hero. Leaping from his wagon, he unveils a concealed shotgun and swiftly takes down McLeod.

As the gunfight escalates, Wayne's portrayal of Thornton's spirit and exceptional skill as a gunfighter shines through. Even when a bullet grazes his leg, Thornton remains steadfast, efficiently dispatching the remaining adversaries with remarkable precision. This climactic sequence not only serves as a satisfying end to El Dorado's central conflict, but also highlights the enduring appeal of Wayne's iconic screen presence and his ability to embody the quintessential Western hero. Out of all of the Western movies John Wayne has appeared in, this memorable moment is a highlight of his collaboration with director Howard Hawks.

El Dorado
  • hEADSHOT oF John Wayne
    John Wayne
  • Cast Placeholder Image
    Robert Mitchum
  • Headshot Of James Caan
  • Cast Placeholder Image
    Charlene Holt

Release Date
June 7, 1967
Runtime
126 Minutes
Director
Howard Hawks
Writers
Leigh Brackett

7 The Poker Game

Tall in the Saddle (1944)

The poker game scene in Tall in the Saddle stands out as one of the most iconic moments in John Wayne's career due to its masterful portrayal of tension, character, and the essence of the Western genre. Wayne's portrayal of Rocklin as a quick-witted cowboy elevates this scene, stealing the scene with his commanding screen presence and understated charisma. The scene's power lies in its ability to build suspense through the high-stakes confrontation between Rocklin and Clint Harolday (Russell Wade), which is what really makes the scene memorable.

What distinguishes the poker scene as one of the best is Wayne's skill in conveying Rocklin's quiet strength and unshakable determination through minimal dialogue and powerful body language. By embodying a character who fearlessly confronts injustice, the performance in this scene transcends the film itself, becoming a defining moment in John Wayne’s career. The poker game scene not only showcases Wayne's acting talents, but also displays what makes the Western genre so special.

6 Tom Burns Down His Ranch

The Man Who Shot Liberty Valance (1962)

The scene in which John Wayne’s character Tom burns down his own ranch in The Man Who Shot Liberty Valance is a powerful and emotionally charged moment that showcases Wayne's range as an actor. This scene stands out as one of the best in Wayne's filmography due to its raw portrayal of heartbreak and Tom's self-destructive response to losing the woman he loves. The moment is made all the more poignant by the revelation that Tom, not Ransom (James Stewart), was the one who killed Liberty Valance (Lee Marvin), an act driven by his deep affection for Hallie (Vera Miles).

Wayne's performance in this scene is a departure from his typical roles, demonstrating his ability to convey complex emotions and vulnerabilities. As Tom sets fire to the ranch he had been building for Hallie, the depth of his pain and the extent to which he is willing to sacrifice his own dreams is palpable. The scene's impact is heightened by the knowledge that Tom's actions were ultimately driven by his selfless love for Hallie, adding a layer of tragedy to an already heart-wrenching moment.

The Man Who Shot Liberty Valance
  • Cast Placeholder Image
    James Stewart
  • hEADSHOT oF John Wayne
    John Wayne
  • Cast Placeholder Image
    Vera Miles
  • Cast Placeholder Image
    Lee Marvin

Release Date
April 22, 1962
Runtime
123 Minutes
Director
John Ford
Writers
James Warner Bellah, Willis Goldbeck, Dorothy M. Johnson

5 The Opening Scene

Rio Bravo (1959)

The opening scene of Rio Bravo is a masterclass in efficient storytelling, setting the stage for the film's central conflict and introducing its key characters without relying on excessive exposition. In just a few minutes, director Howard Hawks and John Wayne manage to captivate the audience, drawing them into the world of Sheriff John T. Chance and the challenges he faces in maintaining order in his town. The scene's brilliance lies in its ability to convey essential information through action and subtle interactions between the characters, rather than relying on lengthy dialogue.

Wayne's presence in this scene is commanding, showcasing his ability to portray a strong, determined lawman who refuses to back down in the face of adversity. The confrontation between Chance and the drunken Dude (Dean Martin) not only establishes their complex relationship but also highlights the sheriff's commitment to justice, even when it means facing off against a former friend. This opening sequence is a testament to the skill of both Hawks and Wayne, setting the stage for a classic Western that continues to captivate audiences decades after its release.

Rio Bravo
  • hEADSHOT oF John Wayne
    John Wayne
  • Cast Placeholder Image
    Dean Martin
  • Cast Placeholder Image
    Ricky Nelson
  • Cast Placeholder Image
    Angie Dickinson

WHERE TO WATCH

Release Date
April 4, 1959
Runtime
141 Minutes
Director
Howard Hawks
Writers
Jules Furthman, Leigh Brackett, B.H. McCampbell

4 Wil Fights Asa

The Cowboys (1972)

The emotionally charged scene in which Wil Andersen (John Wayne) confronts and fights Asa Watts (Bruce Dern) in The Cowboys is an incredibly pivotal moment. The moment not only showcases Wayne's enduring screen presence, but also serves as a metaphor for the changing landscape of Hollywood Westerns. The scene's intensity and shocking conclusion make it one of the most memorable and impactful in Wayne's filmography.

The confrontation between Wil and Asa is a battle of both physicality and symbolic significance. The brutal fight that ensues is a departure from the more romanticized depictions of violence in earlier Westerns, reflecting the grittier, more realistic approach that characterized the genre in the 1970s. When Asa ruthlessly guns down Wil, it is a shocking and gut-wrenching moment that underscores the changing times and the emergence of a new generation of Hollywood stars. This scene not only stands out as one of Wayne's finest, but also serves as a poignant reflection on the evolution of the Western genre and the ing of an era.

The Cowboys
  • hEADSHOT oF John Wayne
    John Wayne
  • Cast Placeholder Image
    Roscoe Lee Browne
  • Headshot Of Bruce Dern
    Bruce Dern
  • Cast Placeholder Image
    Colleen Dewhurst

Release Date
January 13, 1972
Runtime
134 Minutes
Director
Mark Rydell
Writers
William Dale Jennings, Irving Ravetch, Harriet Frank Jr.

3 Ethan Saves Debbie

The Searchers (1956)

The emotional climax of The Searchers, in which Ethan Edwards (John Wayne) finally rescues his niece Debbie (Natalie Wood) after a five-year quest, is one of the most powerful and memorable scenes in John Wayne's career. This moment speaks to Wayne's remarkable ability to convey complex emotions and character development through his performance. This scene stands out as one of the greatest in Wayne's filmography due to its raw emotional power, the culmination of his character's transformative arc, and the sheer impact of Wayne's performance.

In the film's intense finale, Ethan and his adopted nephew, Martin (Jeffrey Hunter), lead an attack on Scar's camp. However, it is in the following moments that Wayne truly shines, as Ethan pursues Debbie on horseback, seemingly intent on killing her. In a stunning display of emotional range, Wayne's character ultimately embraces his niece, uttering the simple yet profound line, "Let's go home, Debbie." It is a testament to his skill as an actor and his ability to bring depth and nuance to even the most challenging roles.

The Searchers
  • Cast Placeholder Image
    Jeffrey Hunter
  • hEADSHOT oF John Wayne
    John Wayne
  • Cast Placeholder Image
    Vera Miles
  • Cast Placeholder Image
    Ward Bond

WHERE TO WATCH

Streaming

Release Date
May 16, 1956
Runtime
119 minutes
Director
John Ford
Writers
Frank S. Nugent

2 The Meadow Shootout

True Grit (1969)

The climactic meadow shootout in True Grit is an unforgettable moment that perfectly encapsulates Wayne's portrayal of Rooster Cogburn, making it one of his most iconic and enduring roles, and ultimately earning him a well-deserved Academy Award for Best Actor. The scene's brilliance lies in its ability to capture the essence of Rooster's character; a gruff, tough-as-nails lawman with an unwavering sense of justice. As Rooster confronts Ned Pepper (Robert Duvall) and his gang alone, Wayne delivers a performance that is both commanding and nuanced.

The famous line, "Fill your hands, you son of a b***h!" has become synonymous with Wayne's career, encapsulating his ability to deliver memorable, impactful dialogue with unparalleled bravado. The ensuing gunfight is a masterclass in action choreography and cinematography, with Wayne's Rooster charging fearlessly towards his adversaries on horseback, a rifle and revolver in hand. This sequence not only serves as a thrilling climax to the film, but also represents Wayne's enduring legacy.

True Grit
  • hEADSHOT oF John Wayne
    John Wayne
  • Cast Placeholder Image
    Glen Campbell
  • Cast Placeholder Image
    Kim Darby
  • Cast Placeholder Image
    Jeremy Slate

Release Date
June 11, 1969
Runtime
128 minutes
Director
Henry Hathaway
Writers
Charles Portis, Marguerite Roberts

1 Ringo Entrance

Stagecoach (1939)

The Ringo Kid's entrance in Stagecoach is a seminal moment in cinema history, not only introducing John Wayne's character, but also setting the stage for his meteoric rise to stardom. Director John Ford's masterful use of cinematography in this scene, particularly the iconic close-up of Wayne's face, instantly establishes the Ringo Kid as a force to be reckoned with, capturing the essence of the classic Western hero. This single shot not only serves as a powerful introduction to the Ringo Kid but also encapsulates the archetypal hero that Wayne would come to embody throughout his career.

As the camera pushes in on Wayne, his magnetic screen presence takes over. The shot, framed against the breathtaking backdrop of Monument Valley, elevates Ringo to mythical status, presenting him as a larger-than-life figure who is both formidable and relatable. The scene's impact on Wayne's trajectory cannot be overstated, as it paved the way for his collaborations with renowned directors and solidified John Wayne’s position as a Hollywood icon.

Stagecoach
  • Cast Placeholder Image
    Claire Trevor
  • hEADSHOT oF John Wayne
    John Wayne
  • Cast Placeholder Image
    George Bancroft
  • Headshot Of Andy Devine
    Andy Devine

WHERE TO WATCH

Release Date
March 3, 1939
Director
John Ford
Main Genre
Western