Clint Eastwood rejected the script for Dirty Harry movies.

The film's rogue main character and pushing of boundaries led to other projects trying to recapture the same lightning. One key example would be 1974's Death Wish starring Charles Bronson, which was arguably even more controversial. Two more instances include McQ and Brannigan, both of which starred John Wayne. Both thrillers cast Wayne as tough detectives who carry Magnum revolvers and bend the rules to see justice done. In short, John Wayne fronted two Dirty Harry ripoffs after ing on the original a few years prior.

Clint Eastwood Rejected The Dirty Harry Imitation McQ Before John Wayne Took It

Eastwood didn't sound impressed with John Wayne's McQ

Clint Eastwood in Dirty Harry and John Wayne in McQ

While being interviewed by journalist Paul Nelson (via Conversations with Clint: Paul Nelson's Lost Interviews with Clint Eastwood, 1979-1983), Eastwood was asked several questions about Wayne and his thoughts on the screen icon's final film, The Shootist. This led Nelson to label Wayne's "imitation Dirty Harry" as plain "embarrassing." Presumably ing judgment on both McQ and Brannigan, Eastwood replied:

I know. In fact, one of them was originally written for me: McQ. I ed on it.

Much has been made of a supposed feud between Eastwood and Wayne, though the latter once told Clint, "We ought to do a movie, kid," as his career was taking off. By this point, Clint had become the face of a darker, more violent and cynical breed of Western, right as the genre's popularity was waning. Wayne rejecting Dirty Harry and it becoming a smash for his young rival is one thing, but Wayne accepting imitations of the film that Eastwood ed on is another. This signals how Wayne felt he missed the boat the first time out.

John Wayne as Rooster Cogburn on his horse in True Grit

"We Ought To Do A Movie, Kid": Why Clint Eastwood ed On The 1969 Western That Won John Wayne His Only Oscar

John Wayne was once very eager to work with Cilnt Eastwood, only for the younger star to reject one of Wayne's best Westerns from 1969.

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Of course, it was wise for Eastwood to turn down another rogue cop movie like McQ, since he had already signed on for Dirty Harry sequel Magnum Force. Still, Wayne's Dirty Harry ripoffs felt like pale xeroxes of Eastwood's thriller, and if nothing else, confirmed that "The Duke" was wrong for the role anyway. The movies themselves are cliché detective thrillers that lack Dirty Harry's edge, though they at least stage some effective setpieces.

Why John Wayne Fronted Two "Embarassing" Dirty Harry Ripoffs After Rejecting The Original

Frank Sinatra was the problem

Dirty Harry is a screenplay that traveled around before it landed on Eastwood's desk. The title character was intended to be older than Clint was at the time, which is why Hollywood vets like Paul Newman or Frank Sinatra got first dibs. In fact, Sinatra had accepted the role and was set to make Dirty Harry (under the working title Dead Right) before he bowed out, as he needed an operation on his wrist. Wayne wasn't too pleased that he was approached about the role after Sinatra exited, either.

According to John Wayne: The Man Behind the Myth, Wayne said, “I didn’t like being offered Sinatra’s rejections." During this period, Wayne was largely sticking to Westerns, having recently won an Academy Award for True Grit. Many of his follow-ups, like Rio Lobo (the final film of movie legend Howard Hawks) and Cahill, U.S. Marshal, played like tired retreads of movies he had made many times before. Something like Dirty Harry could have reinvigorated Wayne's image with younger audiences.

... Wayne publicly stated his regret at ing on Dirty Harry, feeling it was an updating of the kind of Western characters he had played before.

Even so, it would have been a different film with Wayne as Harry. His distaste for bloody screen violence or vulgarity would have seen those elements toned down, for example. Still, Wayne publicly stated his regret at ing on Dirty Harry, feeling it was an updating of the kind of Western characters he had played before. That's what attracted him to projects like McQ and Brannigan, but accepting lesser versions only proved to be another mistake.

Source: Conversations with Clint: Paul Nelson's Lost Interviews with Clint Eastwood, 1979-1983, John Wayne: The Man Behind the Myth