Most people would say that its impeccable soundtrack, fast cuts, sense of humor, voiceover narration, and all-over-the-place narrative structure.
Also, it’s based on a true story. The life of Henry Hill actually happened. The Corleone family is entirely fictional. Goodfellas’ adaptation of true events adds a whole new layer to both the comedy and tragedy of the story. With that in mind, here are the 10 Most Memorable Quotes From Goodfellas.
Updated on May 28th, 2020 by Ben Sherlock: Even with the critical acclaim met by The Irishman, Martin Scorsese’s Goodfellas remains one of his most popular films. A number of critics compared The Irishman to Goodfellas, but called it a more mature film. It has a slower pace, a more nihilistic tone, and a heavier focus on the immense guilt rattling around the heads of mobsters. With its rapid pacing, pitch-black humor, and Jules and Jim-inspired all-over-the-place editing, Goodfellas is endlessly rewatchable, so we’ve updated this list with a few more entries.
I Like Going This Way...
“I like going this way. It’s better than waiting in line.”
The long tracking shot through the Copacabana found in Goodfellas is one of the most iconic shots in the history of cinema. Henry skips the line, takes Karen into the club through the kitchen, and has a table brought out for them right in front of the stage. It’s easy to see why Karen was seduced by Henry’s lavish lifestyle.
You Wasted Eight F****** Aprons On This Guy
When a man with a gunshot wound collapses on the doorstep of Tuddy’s restaurant, Henry springs into action and starts plugging up the wound with aprons until the man makes it safely into the back of an ambulance.
For all intents and purposes, this makes him a hero. But Tuddy doesn’t see it that way; he just sees all the missing aprons. He says, “You’re a real jerk. You wasted eight f*ckin’ aprons on this guy. I don’t know what the hell’s wrong with you. I gotta toughen this kid up.”
To Me, It Meant Being Somebody In A Neighborhood Full Of Nobodies
What makes Goodfellas arguably the best mob movie ever made is that it doesn’t just depict hitmen killing people for mafiosos and gangsters stealing cigarettes out of trucks. It also shows the seductive nature of the mafia lifestyle.
We understand exactly why Henry Hill wanted to be a gangster, and why that lifestyle seemed so appealing. When he was growing up, being a gangster seemed like “being somebody in a neighborhood full of nobodies.”
F*** You, Pay Me
In voiceover, Henry explains what it’s like to have Paulie as a business partner: “Any problems, he goes to Paulie. Trouble with a bill, he can go to Paulie. Trouble with the cops, deliveries, Tommy, he can call Paulie. But now, the guy’s gotta come up with Paulie’s money every week, no matter what. Business bad? F*ck you, pay me. Oh, you had a fire? F*ck you, pay me. Place got hit by lightning, huh? F*ck you, pay me.”
You’d Be Late For Your Own F****** Funeral
Long before Pulp Fiction would make him an icon, Samuel L. Jackson played a small role as Stacks Edwards in Goodfellas. Instead of ditching the truck that they used in the Lufthansa heist like he was supposed to, Stacks got stoned.
So, Tommy goes over to his apartment and tells him to get dressed. But while he’s getting dressed, Tommy says, “You’d be late for your own f*ckin’ funeral,” and shoots him in the back of the head.
They even shot Tommy in the face...
They even shot Tommy in the face, so his mother couldn’t give him an open coffin at the funeral.
Perhaps the most awful moment in the whole of Goodfellas is when Tommy heads to what he thinks is the ceremony in which he’ll be made and gets killed. As Henry explains the whole thing, we get a haunting look and how strictly the mafia stick to their rules: “It was revenge for Billy Batts, and a lot of other things. And there was nothing that we could do about it. Batts was a made man, and Tommy wasn’t. And we had to sit still and take it. It was among the Italians. It was real greaseball s**t. They even shot Tommy in the face, so his mother couldn’t give him an open coffin at the funeral.”
I got to it the truth...
I got to it the truth. It turned me on.
One of the smartest moves Martin Scorsese made with the writing and directing of Goodfellas was following Karen’s storyline as well as Henry’s. Not only does the movie explore the mentality of someone who ends up being a career criminal; it explores the mentality of someone who gets romantically involved with one. And Lorraine Bracco plays the character with so much gravitas and humanity. Our first glimpse into her psyche is a fascinating one: “I know there are women, like my best friends, who would have gotten out of there the minute their boyfriend gave them a gun to hide. But I didn’t. I got to it the truth. It turned me on.”
I’m an average nobody...
I’m an average nobody. I get to live the rest of my life like a schnook.
At the end of Goodfellas, it might seem as though Henry gets off easy by selling out all his friends to the FBI and going into the Witness Protection Program. But as his final voiceover monologue points out, he’s left completely unfulfilled. He had everything he ever wanted and then lost it. Now, he has to live a mundane life in the suburbs like everybody else. Henry might have avoided jail by ratting out all of his friends – something he was told since his childhood never to do – but he feels just as trapped in his new life as if he had gone to jail.
I’m gonna go get the papers...
I’m gonna go get the papers, get the papers.
A commonality among the best crime stories is that they explore how criminals get their nicknames, and it’s usually something pretty trivial. For example, in the very first scene of the very first episode of The Wire, Jimmy McNulty launches into a monologue about how a kid was given a beautiful name by his mother and then one day, just because he forgot to grab a sweater on his way out and he ended up with a runny nose, he ended up with the lifelong nickname Snot. This was pioneered in Goodfellas, in which Henry Hill says, “There was Jimmy Two Times, who got that nickname because he said everything twice.”
Hey, Tommy, if I was gonna break your balls...
Hey, Tommy, if I was gonna break your balls, I’d tell you to go home and get your shine box.
Joe Pesci’s character Tommy DeVito has a contentious relationship with pretty much everybody, but none more than Billy Batts. Billy knows that Tommy is a hothead and he likes to push his buttons. Tommy asks him politely, “Just don’t go bustin’ my balls, Billy, okay?”
And then Billy says, “Hey, Tommy, if I was gonna break your balls, I’d tell you to go home and get your shine box. Now, this kid, this kid was great. They used to call him Spitshine Tommy. I swear to God! Now, he’d make your shoes look like f**kin’ mirrors. ‘Scuse my language.” It’s a tense scene, since we’re just waiting for Tommy to erupt – and he does.
