Netflix has come up with some very original content in the past few years, but nothing can quite compare to the best Love, Death and Robots episodes. The anthology series produced by David Fincher is a collection of animated shorts that span multiple genres and styles of animation, and audiences never quite know what to expect when it's time to tune in for a new episode. Ranging from comedy to science-fiction, fantasy, horror, and drama, there is something for everyone in Love, Death & Robots. The versatility of the show grants it an extremely broad audience that has fans eagerly awaiting each new season.

What is most impressive about the best Love, Death and Robots episodes is the talent involved. Many of the episodes are based on stories by some of the best science fiction, fantasy, and explorative fiction authors. Names include John Scalzi, Peter F. Hamilton, Alastair Reynolds, and horror author Joe Lansdale. The series also attracted some big-name actors to the franchise, including Michael B. Jordan, Gary Cole, Rosario Dawson, and Dan Stevens. Finally, a look at the creative talent involved Tim Miller, David Fincher, and some of the best animators working today, making the Netflix series a can't-miss for animation fans.

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Night Of The Mini Dead (Volume 3, Episode 4)

Zombies attacking a gasoline station in Love Death and Robots.

Viewers get a bird's eye view of the collapse of civilization via a zombie apocalypse in the humorous episode "Night of the Mini Dead." From the moment the first zombie appears to total annihilation, the short film packs an impressive amount of detail into its stunning mini sets. The comical tiny voices combined with the illusion that everything is happening extremely quickly make it an episode that keeps fans glued to their screens. It's a hilarious parody of the many shows and movies that depict the end of humanity through hordes of unstoppable zombies.

All Through The House (Volume 2, Episode 6)

A still from the Love, Death & Robots episode All Through The House.

In "All Through the House," two kids sneak out of bet in the hopes of catching Santa Claus on Christmas Eve, but they're shocked to find a horrific sack-like creature delivering their presents, instead. The creature catches and corners them, but it deems them to be good and offers up gifts before disappearing up the chimney. A Christmas tale only David Cronenberg could tell, "All Through The House" ditches the rampant symbolism and heavy themes of most of the best Love, Death and Robots episodes in favor of a twisted holiday tale meant only to provide some yuletide terror.

Sonnie's Edge (Volume 1, Episode 1)

Sonnie stands in the middle as her friends stand next to her in front of a monster in a tank in Love, Death & Robots.

It makes sense that the premiere remains one of the best Love, Death and Robots episodes. The number of twists and turns that are present in "Sonnie's Edge" is enough to make anyone's head spin. The concept alone is phenomenal; it imagines an underground ring of fights between beasts controlled by humans. One of Love, Death & Robot's best characters, Sonnie never loses, but no one can figure out where she gets her edge. When an evil man sets to attempt to find out, things don't go quite as expected. There's a totally shocking plot twist that sets the tone for the rest of the anthology and reminds fans to expect the unexpected when watching the show.

Shape-Shifters (Volume 1, Episode 10)

A still from the Love, Death & Robots episode Shape-Shifters.

Werewolves are a fairly played-out fantasy horror trope, but one of the best Love, Death and Robots episodes revitalizes the concept by imagining them as combatants in war-torn Afghanistan. Distrusted and discriminated against because of his condition, one soldier must track down two militant insurgent werewolves in order to avenge his slaughtered comrade. An obvious parable for racial discrimination in the military, the social commentary is a bit on-the-nose at times, but "Shape-Shifters" still manages to tell a tense and meaningful story that should keep fans engaged until the end.

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Pop Squad - 8.1 (Volume 2, Episode 3)

Detective Briggs looking up in Love, Death & Robots.

While immortality is a concept that has been portrayed numerous times in films and TV shows, the take on it in "Pop Squad" adds some interesting dark layers that some viewers might have never considered. It follows the story of the likable character of Detective Briggs as he experiences a monumental shift in his beliefs about living forever. Only the rich are allowed to have children in his world, as drug-induced immortality has caused extreme overpopulation and limited resources. As the detective goes through his daily routine of doing his job and hunting down children, something clicks inside of him that permanently changes his views.

Good Hunting (Volume 1, Episode 8)

A woman with a tail leaning towards a man in Love, Death & Robots.

"Good Hunting" is perhaps the Love, Death & Robots episode that feels the most out of place in the series, but its uniqueness is also its greatest strength. The longer fans spend being immersed in its world where shape-shifters and spirit hunters exist, the more it grows on them. Based on a story by best-selling Chinese author Ken Liu, 'Good Hunting' does a wonderful job of translating this piece onto the screen. It's moving and sweet, which are characteristics that are often lacking in Love, Death & Robots. It also features the powerful shape-shifting character Yan, who is impossible not to root for throughout the episode.

Three Robots (Volume 1, Episode 2)

Three robots leaning on a railing in Love, Death & Robots.

The self-awareness present throughout the course of "Three Robots" is both hilarious and slightly frightening. Three robots embark on an excursion to learn about the extinction of humankind, something that could very well become reality. It's presented in a humorous way, with the three charming robots roaming the town like a sci-fi spoof. The dystopian "Three Robots" still remains one of the most comedic episodes of the bunch, particularly due to the cat twist no one could've seen coming. The mix of the feeling of discomfort and amusement is further proof of how good the show truly is.

The Witness (Volume 1, Episode 3)

A woman running towards the camera in the middle of the street in Love, Death & Robots.

"The Witness" is so unique and colorful that the mind-bending nature of the plot almost plays second fiddle. Any vibrant image from the episode is almost always instantly recognizable among fans. The story itself centers around a woman running from a man she saw from afar as he was committing murder. The animation is up there with some of the best in the entire season, and the plot twist at the end is jaw-dropping. It will leave audiences wondering if there is a Love, Death & Robots plot hole, or if they were simply too distracted by all the stimuli of the episode.

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Lucky 13 (Volume 1, Episode 13)

A spaceship docking in Love, Death & Robots.

The idea of a drop-ship named Lucky 13 forming a sentimental bond with its pilot can be either endearing or annoying, but the consensus is obvious; "Lucky 13" is a simple yet emotional episode with plenty of action. The relationship between human and machine is explored in this thrilling episode as a ship surrounded by superstition proves that it's more than just its unfortunate number. This premise could definitely work as a feature film and would likely be considered one of the most gorgeous sci-fi movies ever.

When The Yogurt Took Over (Volume 1, Episode 6)

Love Death & Robots When The Yogurt Took Over

One of the most iconic of the best Love, Death and Robots episodes arrived in season 1 with the John Scalzi-created story "When the Yogurt Took Over." This is the shortest episode of the series, but it is also one that most people still talk about to this day when discussing the zaniness that took place amidst the thought-provoking episodes. The plot is simple - scientists accidentally breed super-intelligent yogurt, and it soon wants to take over the world. The twist is that the yogurt has a plan that could eradicate the national debt, but as always, humans mess everything up. It is a story of how humanity's arrogance will always impede progress.