One of the most crucial elements of any good fantasy or science fiction series is world building. For a franchise like Game of Thrones, Westeros and Essos are fully formed regions with countless societies, races, and noble houses.

For Stranger Things, there are two primary locations across both seasons. One of them is remarkably familiar, despite being located over thirty years in the past. Hawkins, Indiana is just like any other small town in America, bustling with life and warmth and secret drama hidden beneath the surface. However, it's the other main location that the series sells with amazing (and terrifying) attention to detail.

That, of course, is the mysterious realm known as the Upside Down. While we don't actually know a whole lot about it—since most of what we do know, after all, comes from the minds of middle school students—there are certain secrets we've uncovered over time that start to paint a clearer picture of the murky world.

Here are the 15 Things You Never Knew About Stranger Things' Upside Down.

 It originally had both day and night

Part of what makes the Upside Down such an eerie place is the persistent darkness that shrouds it. After all, there's a reason that Stranger Things 2's first trailer used Vincent Price's iconic "Darkness falls across the land" monologue from Michael Jackson's Thriller.

However, in earlier concept art renderings, the Upside Down was almost unrecognizable, all due to one notable difference: the presence of sunlight.

According to the artists of Aaron Sims Creative, who produced the series' early concept art, "At the time, we didn’t necessarily know if day and night existed in the Upside-Down. We actually considered the possibility of a time change when going between the two worlds -- e.g. Nancy entering the rift when it was nighttime in our world, and coming out into the Upside-Down in the day."

Ultimately, the idea was scrapped in favor of the more ominous and frightening Upside Down we all know today.

Influences included Alien and Silent Hill

Another part of what makes the Upside Down so unsettling is the fact that it's literally just our world, but inverted and covered with a viscous gooey substance. The goo seems to be everywhere and covers anything it touches, which adds to an already sky-high "ick" factor.

As artist Aaron Sims explains, the overall appearance of the Upside Down has storied pop cultural inspiration: "We did take some inspiration from Alien when taking a world that we thought of as familiar, and then placing a sort of membrane all over it. In the same way, when the Alien eggs would grow in certain areas, it would affect our world."

Additional sources of inspiration include the haunting video game series Silent Hill and the dystopian surrealist Polish artist Zdzislaw Beksinski.

It was meant to look like it was alive

It would have been pretty easy for Stranger Things to lean into the conventional science fiction locations afforded to it by its genre. The Upside Down could have been futuristic and minimalist, something straight out of a space adventure series. It also could have relied heavier on the horror genre, producing something far more ghoulish and bloody.

However, when it came to the portals connecting the Upside Down to the real world-- whether it be central one at the Hawkins Lab or some of the smaller ones in the woods-- the overall design evolved from "early designs [that] felt 'too sci-fi'" to something that instead "[felt] grounded, somewhat disgusting, like looking at the inside of a body. As opposed to a portal to a parallel universe, this felt like a membrane, like a physical organ."

The Upside Down may not only have a thing for drawing living beings into its traps, therefore: it very well may be living on its own somehow.

The spores may be caused by the Demogorgon

Even in the immense darkness of the Upside Down, one atypical feature is immediately apparent: the fact that the air is populated by freely falling snow-like spores. The series has yet to offer any sort of explanation for this source of pollution/pollination/whatever it may be classified as, and it's unclear as to whether it will ever be addressed.

However, once again, Aaron Sims Creative has a bit of an answer for curious fans everywhere, based on the guiding principle they used for deg the Upside Down: "We really used the particles in the air to represent the difference in the two worlds, rather than a specific relationship… There is some idea that if the creature existed in our world, the particles would exist here as well…but no word on the specific relationship."

 It was mostly created with practical effects

Perhaps as a result of the desire to move away from designs that seemed to rely too heavily on conventions of science fiction, much of the layout of the Upside Down was created with wholly practical effects, rather than depending entirely on CGI and green screen. In order to create a world that seemed like it was living, they needed to have components that were tangible and animated.

According to Ross Duffer's explanation of the aesthetic of the Upside Down, "We wanted it to be like a dark shadow of our world. We knew it was something we could use practical things — we could build off of our sets and locations — it’s that mix of practical and visual effects. A lot of those vines and the growth we did build — a lot of them were moving and pulsing. When you do something like a full-on city street, visual effects has to take over at some point. And a lot of those practical effects were added as well. It was about, 'What would our world look like if this was an evil shadow of it?'"

Eleven may be the first person to have encountered it

In season 1, we get multiple glimpses of Hawkins Lab's cruel, torturous methods of training Eleven to cross dimensions and space in order to learn confidential information. However, during one of her sensory deprivation attempts, it isn't a government entity or foreign message that Eleven comes across, but rather, the Demogorgon itself.

It's in this expansive, black, void-like space that Eleven first encounters the Demogorgon and presumably the suggestion of the Upside Down with it. Further, she even comes into physical with the monster, perhaps establishing a physical link between the two.

Yet, while this is the first sign of the Upside Down's existence (or creation?) that we are given, we still have no real idea about what this jarring moment suggests. Did the Upside Down exist before this point in time? Did the Demogorgon? Or was Eleven's interference in the breach somehow responsible for their creation?

The Dungeons & Dragons comparison doesn't actually exist

Dungeons & Dragons is an integral part of the mythology of season 1. From the campaigns that are waged in the opening and closing minutes of the series, to the continued references to its many beasts and creatures, the fundamental nerdy pastime is practically its own character in Stranger Things' first eight episodes.

However, according to devoted fans of the tabletop roleplay game, one of the most noteworthy references the boys draw from the game doesn't actually exist. The Vale of Shadows, which Dustin in particular uses to explain the existence of the Upside Down as the boys (and Mr. Clarke) theorize about it, isn't actually part of the game.

Instead, it's a creation of the series, and perhaps even a creation of the characters', as Dungeon Masters within the game have the freedom to create new places and campaigns as they see fit.

Bill Nye says the Upside Down could prove the multiverse theory

As the resident trusted expert on all things TV science-related, it makes sense that Beyond Stranger Things would defer to Bill Nye the Science Guy to try and explain how the Upside Down could plausibly exist. The theory put forth by the show is that the Upside Down could the extremely complicated scientific theory of multiverses.

According to Nye's very brief explanation on the season 2 after show, the Upside Down's existence suggests that "perhaps there are these bubbles of universe, which we now are calling multiverses, also expanding somehow at the same time. And is it possible that there are areas like this where the multiverses intersect? So this is the Upside Down, and we are in the Rightside Up."

The Mind Flayer may be responsible for electrical interference

A crucial element of season 1 that instantly became a viral hit and iconic symbol of the series was the presence of flickering Christmas lights. The seasonal decorations acted as an unlikely source of communication between the real world and the Upside Down, allowing poor Will Byers to communicate with his mother Joyce whenever he was able.

However, in addition to the deliberate communication, other bizarre incidences of electrical interference occurred, such as phones short circuiting and burning out, outages of service, and lights flickering on and off and ringing in an eerie way.

According to visual effects producer Christina Graff, the newly revealed villainous Mind Flayer is to blame for all these bizarre signs: "Since we had all these electrical disturbances last year in season one, where the Christmas lights were blinking or any sort of electrical light is blinking, we knew there were going to be storms in season two. The Shadow Monster is somehow connected to all of that energy."

The Duffer Brothers have a 30 page guide to the Upside Down

Have you ever wondered just how much preparation goes into writing your favorite show? Do some plots feel like they're barely held together with a few shoddy pieces of string and some duct tape? Similarly, do others feel like they've been intricately woven together and planned out from the very beginning?

Thankfully, in the case of the Upside Down, we can report that the scenario falls into the latter category. According to the Duffer Brothers following season 1, a guide book to all things Upside Down is apparently something they have all planned out and on hand.

"We have a 30-page document that is pretty intricate in of what it all means, and where this monster actually came from, and why aren’t there more monsters — we have all this stuff that we just didn’t have time for, or we didn’t feel like we needed to get into in season one," he said.

Now if only we knew even 1/10 of the information in that document...