75 years after the movie was largely snubbed on Oscar night, Nominated for 11 Oscars, including Best Picture, the film walked away with just three trophies, none for any of its nominated actors.

Olson was one of those Sunset Boulevard stars left without a statue on Oscar night, and recently the 96-year-old reflected on being snubbed by the Academy, revealing how she knew ahead of time that she wouldn’t be winning, and reflecting on the film’s legacy after 75 years. Olson began by expressing her gratitude for her Best ing Actress nomination, the only nomination of her career (via THR):

“I did not expect to win and I did not win. I felt very rewarded being nominated and that was quite enough.”

Olson then explained how the seating arrangement at the Oscars' venue clued her in to the fact that someone else would take home Best ing Actress that evening (Josephine Hull won for the Jimmy Stewart comic fantasy Harvey):

“I was seated in the back, on the side.”

The next year, Olson returned to the Oscars on behalf of her otherwise-occupied husband, composer Alan Jay Lerner, and received a much more promising seat:

“He was in New York with his father who was dying. And so I picked up the Oscar for him. My seat was in the fourth row on the aisle — and I knew right away that Alan was going to get the award.”

Olson then discussed the movies competing with Sunset Boulevard in 1950, including the classics All About Eve and Born Yesterday, the latter of which starred the night’s upset Best Actress winner Judy Holliday (who beat out screen legends Swanson and Bette Davis):

“I mean, they were all wonderful, wonderful movies. And I can understand why there was other choices. On the other hand, what is the most fascinating is that Sunset Boulevard has outlasted them all. The desire, the gravity that brings people to it is fascinating... Gloria Swanson and Billy Wilder, the picture, everything should have won.”

What This Means For Sunset Boulevard’s Legacy

Its Critical Reputation Remains Strong

Sunset Boulevard had a chance to sweep the Oscar’s major trophies, with nominations for Best Picture, Best Director, and all four acting awards. It did walk away with three statues, for screenplay, black-and-white art direction and score, but its performance in the marquee categories was a major disappointment. Interestingly, it was another showbiz insider movie, All About Eve, that came away the night’s big winner, snagging six awards, including Best Picture.

Sunset Boulevard's Oscar Nominations

Nominees

Winner

Best Picture

Paramount Pictures

All About Eve

Best Actor

William Holden

Jose Ferrer (Cyrano de Bergerac)

Best Actress

Gloria Swanson

Judy Holliday (Born Yesterday)

Best ing Actor

Erich von Stroheim

George Sanders (All About Eve)

Best ing Actress

Nancy Olson

Josephine Hull (Harvey)

Best Director

Billy Wilder

Joseph L. Mankiewicz (All About Eve)

Best Writing, Story And Screenplay

Charles Brackett, Billy Wilder and D.M. Marshman Jr.

Sunset Boulevard

Best B&W Art Direction

Hans Dreier and John Meehan art directors, and Samuel M. Comer and Ray Moyer set decorators

Sunset Boulevard

Best B&W Cinematography

John F. Seitz

The Third Man

Best Film Editing

Arthur P. Schmidt and Doane Harrison

King Solomon's Mines

Best Scoring Of A Drama Or Comedy

Franz Waxman

Sunset Boulevard

Olson is incredibly gracious in appreciating her own Oscar nomination, and sounds like she was not too disappointed when her name wasn’t called 75 years ago. It’s her opinion that, in a way, Sunset Boulevard was the ultimate winner over All About Eve and the other films that beat it out, as their reputations have somewhat faded over the decades, while her movie continues to enthrall viewers after three-quarters of a century.

Our Take On Olson’s Assessment Of Sunset Boulevard’s Legacy

David Lynch Would Have Agreed With Her

A composite image from Mulholland Drive by David Lynch

There is much about Sunset Boulevard that feels fresh and fascinating even today. Firstly, Swanson’s performance as faded movie star Norma Desmond remains one of film history’s definitive portrayals of showbiz delusion. The movie's strange, dark tone also remains compelling, Norma’s bizarre relationship with Holden’s hack screenwriter Joe becoming a study in noirish perversity. The film’s finale, in which Swanson fully unravels, madly believing herself to be shooting a new movie by Cecil B. DeMille, is included in nearly all packages highlighting the greatest movie endings.

Related
Sunset Boulevard Ending Explained

Sunset Boulevard was one of the defining films of the 1950s, and its ending had a lot to say about the dark and comic world of Old Hollywood.

Sunset Boulevard still does well on greatest movie lists after 75 years, placing 16th in AFI’s 2007 rundown, and 62nd in Sight & Sound’s 2022 director’s poll. The film’s influence on other filmmakers has also been undeniable, especially in the case of the late David Lynch, whose Mulholland Drive bears many thematic similarities to Wilder’s 1950 noir. Oscar-winner Clint Eastwood also expressed his love for the film, calling it his all-time favorite. Overall, Olson is correct that of all the movies nominated for Oscars in 1950, Sunset Boulevard has held up the best over time.

Source: THR

Sunset_Boulevard_(1950_poster)

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Sunset Boulevard
Approved
Film Noir
Drama
Release Date
August 10, 1950
Runtime
110 Minutes
Director
Billy Wilder
  • Cast Placeholder Image
    William Holden
    Joe Gillis
  • Cast Placeholder Image
    Gloria Swanson
    Norma Desmond

WHERE TO WATCH

Sunset Boulevard, directed by Billy Wilder, follows the story of a struggling screenwriter who becomes entangled with a faded silent film star yearning for a comeback. Starring William Holden and Gloria Swanson, the film explores themes of fame and delusion within Hollywood's golden age. Released in 1950, the movie is notable for its critical examination of the film industry and its dark, dramatic narrative.

Writers
Charles Brackett, Billy Wilder, D.M. Marshman Jr.
Main Genre
Film Noir